The Assets department at One of us is responsible for creating photo real Assets for high end VFX projects. The Asset department is made up of Modelling, Groom, Texture, Rigging, Layout , Environments and Look Development. We are looking for a candidate that has experience in creating photoreal textures and models from onSet data and concept artwork.Reports to : Head of Assets Key Responsibilities: Hand off textures that reach the required creative and technical brief.Create Assets that can include character, creature, environment, set builds, hard surface vehicles and props. What we’re looking for: Experience working on high-end feature film / Episodic contentA good understanding of the Functionality of Assets, ( Anatomical, Engineered / Manufactured)A good knowledge of Topology, Texture and utility maps Knowledge of good working practices for handing off work to other departments within Assets ( Rigging / Look Dev)Ability to work with and match to onset material (Photogrammetry / Lidar)Proficiency in industry-standard tools such as:Maya, ZBrush, Houdini, Blender ,Substance Painter/Designer, MariStrong eye for detail, realism, and material accuracyAbility to work independently and as part of a collaborative teamStrong time-management skills and ability to meet deadlinesPreferred Qualifications Experience working in a VFX pipeline Knowledge of asset optimization for large-scale scenes Familiarity with USD-based workflows Experience with scanning data, photogrammetry, or real-world reference Basic understanding of look development and lighting Experience in feature film or episodic VFXPortfolio RequirementsExamples should demonstrate clean topology, strong surfacing, and attention to detailA demo reel or portfolio showcasing high-quality texturing work matching real world reference.Breakdown images are highly encouraged
The Assets department at One of us is responsible for creating photo real Assets for high end VFX projects. The Asset department is made up of Modelling, Groom, Texture, Rigging, Layout , Environments and Look Development. We are looking for a candidate that has experience in creating photoreal textures and models from onSet data and concept artwork.
Reports to : Head of Assets
Key Responsibilities:
- Hand off textures that reach the required creative and technical brief.
- Create Assets that can include character, creature, environment, set builds, hard surface vehicles and props.
What we’re looking for:
- Experience working on high-end feature film / Episodic content
- A good understanding of the Functionality of Assets, ( Anatomical, Engineered / Manufactured)
- A good knowledge of Topology, Texture and utility maps
- Knowledge of good working practices for handing off work to other departments within Assets ( Rigging / Look Dev)
- Ability to work with and match to onset material (Photogrammetry / Lidar)
- Proficiency in industry-standard tools such as:Maya, ZBrush, Houdini, Blender ,Substance Painter/Designer, Mari
- Strong eye for detail, realism, and material accuracy
- Ability to work independently and as part of a collaborative team
- Strong time-management skills and ability to meet deadlines
Preferred Qualifications
- Experience working in a VFX pipeline
- Knowledge of asset optimization for large-scale scenes
- Familiarity with USD-based workflows
- Experience with scanning data, photogrammetry, or real-world reference
- Basic understanding of look development and lighting
- Experience in feature film or episodic VFX
Portfolio Requirements
- Examples should demonstrate clean topology, strong surfacing, and attention to detail
- A demo reel or portfolio showcasing high-quality texturing work matching real world reference.
- Breakdown images are highly encouraged
Founded in London in 2004 by Rachael Penfold, Dominic Parker and Tom Debenham, One of Us is an award-winning visual effects studio for feature films, episodic, commercial projects, as well as immersive art installations. Highly regarded for our design-led concept work, One of Us remains a key creative partner and collaborator to visionary directors. Our commitment to creative excellence underpins everything we do. With the opening of our Paris studio in 2021, One of Us has continued to expand upon and diversify our portfolio of work, which includes bespoke creature design, immersive world building and creating unforgettable on screen moments across the full spectrum of VFX disciplines.
In July 2024, Basilic Fly Studio invested in One of Us, a partnership that brings significant mutual benefits. This acquisition allows the sharing of resources and expertise, while creating greater efficiencies and a more agile, scalable VFX offering for our clients. While One of Us and Basilic Fly will maintain their own brand identities, this partnership offers new opportunities for growth and development while building on our individual reputations for creative excellence and high quality work.
Founded in London in 2004 by Rachael Penfold, Dominic Parker and Tom Debenham, One of Us is an award-winning visual effects studio for feature films, episodic, commercial projects, as well as immersive art installations. Highly regarded for our design-led concept work, One of Us remains a key creative partner and collaborator to visionary directors. Our commitment to creative excellence underpins everything we do. With the opening of our Paris studio in 2021, One of Us has continued to expand upon and diversify our portfolio of work, which includes bespoke creature design, immersive world building and creating unforgettable on screen moments across the full spectrum of VFX disciplines.
In July 2024, Basilic Fly Studio invested in One of Us, a partnership that brings significant mutual benefits. This acquisition allows the sharing of resources and expertise, while creating greater efficiencies and a more agile, scalable VFX offering for our clients. While One of Us and Basilic Fly will maintain their own brand identities, this partnership offers new opportunities for growth and development while building on our individual reputations for creative excellence and high quality work.
